Its rhythm simulates that of a real-life relationship, complete with dull patches and sudden intensifications. The film does a good enough job of making this obvious, so that we take nothing seriously. With luck, someday we may look back upon this film as a first step in the rebirth of Korean animation. The movie is shot almost entirely in daylight, with little camera movement and almost no music. One thing the film does not have is the amount of humor seen in Ryu's previous works. Starring one of today's top actresses in Jeon Do-yeon and a major star from the s in Lee Hye-young, the two promised to deliver Korea's first "women's action buddy movie", and the film was expected to become a popular hit. These interviews allow for something to salvage from this wreckage.
Making an impressive acting debut is Jung Du-hong, Korea's most accomplished action director who has worked on a wide number of films from Musa to The Foul King. The film benefits most from its casting -- a nice mix of veteran actors and newcomers -- as well as the various quirks and mannerisms that define each character. The film's main strength remains its storytelling, however. It's so bad it isn't even laughable, but steps into the pathetic. Sadly, what could have been Saulabi's saving graze, the choreography of the swordfights, becomes that which underscores how much this film underperforms. The obligatory said, there are obvious similarities between Ahn Byeong-ki's Phone and Ringu and its clones. The first benefit we get from this new perspective is how female characters act. You could even partially blame the poor box-office on its being released during the World Cup. She has a strong sense of community, and this is often more important to Hyo-jin than her feelings. The end result surprised a lot of viewers. It does not appear to take its "messages" too seriously, but somehow, by the end of the movie, the viewers are led by this shrewd concoction to reflect on the nature of human relationship and the happiness to be found therein. More than anything else this film succeeds as a rich visual feast. When you watch it, it seems to contain not a trace of commercialism, yet it managed to outperform both Hollywood blockbusters and star-studded local movies to land at 1 in the box-office. Although Three will disappoint some viewers expecting over-the-top gore or a roller-coaster ride, it is worth checking out for fans of the psychological or "subtle" horror, and those curious about how different cultural assumptions and visual idioms can create different flavors for basically formulaic stories. The film has excellent moments though. And, personally, it doesn't feel forced like in many of Kang's previous films. Fans of dorky comedies are advised to search this film out when it's released on home video. I wouldn't have been surprised if the movie showed Jang Dong-gun chewing sushi in slow motion Lost Memories picks up its pace only when there are some explosions, light shows or other excuses for CGI effects. After 14 intense rounds in which Kim refused to give in, he fell into a coma from which he would never wake, changing the sport of boxing forever and throwing a nation into shock. The movie consists of a series of vignettes concerning a love affair between Joon-yeong, Kam Woo-seong a college lecturer of English literature and confirmed bachelor, and Yeon-hee, Uhm Jung-hwa an interior designer looking for a happy marriage and a hot romance. Is it just me who thinks that the movie's vision of the utopian "unified Korea" looks suspiciously like North Korea's "paradise on earth"? I used to have this personal ethical rule that I must watch every film twice before I settled on my feelings about it. Several years after the death of his father, Namoo finds himself faced with further struggles: Although self-reflexive and ironic, Marriage is not modernist or "experimental" in the manner of, say, Camel s. The director's younger brother Ryu Seung-beom, one of the hottest acting talents in the industry, also takes a role, together with a number of older actors who became famous for their action roles in the s.
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